Who was Irene Sharaff, the legend whose name graces this prestigious award? She was a Broadway costume designer. Elegance and an attention to detail were the trademarks of Sharaff. She
It’s a prefab vision, but the exhibition seems to be arguing for a Fluxcity vision. that allows a single module to form into clusters, communities and hives. The concept leans
JEAN-GUY LECAT ON BUILDING THEATRE TODAY: "The difference between a true space and one that is not lies in the criteria that favours or disfavours life. That which favours this
HR-Stamenov's The Phenomenon of W24°58'59,43″ N42°07'55,29″ is very much a site-specific, media, sound and light installation. This time, he toys with the image of a ghost metro train which has
"The situation" is purely experiential, engaging viewers immediately in real time and space to implore a questioning of the art experience, and experience itself. If "This situation" is not a
Of particular interest would the November 9, Open Space Forum, which organizers say "will explore several key factors in the development of contemporary culture that we consider important. They are:
In "Wonderlust," Canadian artist Sarah Anne Johnson's work pushes the boundaries of photography by incorporating burning, scratching, gouging and glitter into her practice. These effects, she believes, "make visible the
This conference, "Ephemeral and Permanent," focuses on the interrelations of the visual arts and the dramatic arts in Rome broadly between 1300 and 1700. In this context, scenography and pageantry
The works in The Future That Was exhibitions in New York and Manila are reflections upon the structures and ideas that produce, frame and promote art and design. Philippine artist
Ashley Bickerton (b. 1959, Barbados, West Indies) graduated from the California Institute of the Arts in 1982 and continued his education in the Independent Studies Program (ISP) at the Whitney
These paintings are based on studies of the gestures of resistance and defiance. They are permanent records of the ‘faceless’ individuals who find themselves on the wrong side of the
The Elo Progo exhibition centers on Ong’s first public showing of video works, which were inspired by the rituals of water meditation and informed by themes of gender fluidity and
It's a prefab vision, but the exhibition seems to be arguing for a Fluxcity vision. that allows a single module to form into clusters, communities and hives. The concept leans
This conference, "Ephemeral and Permanent," focuses on the interrelations of the visual arts and the dramatic arts in Rome broadly between 1300 and 1700. In this context, scenography and pageantry
"I Have Seen the Future: Norman Bel Geddes Designs America" explores the career of American stage and industrial designer, futurist and urban planner Norman Bel Geddes (1893-1958). The exhibition opens
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