in the culture of one world
FRONT PAGE
in the culture of NEW YORK FASHION WEEK
A NEW BRAIN | Hope After a Traumatic Brain Injury
GPS | Global Picture Square
Invested Premises
Criticism Without Borders
Travel & Displeasure
Diplomacy by Design
Deeper into American Theater
Let Us Now Praise the Believers
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Criticism Without Borders
WITHOUT BORDERS | Screw Ingmar Bergman’s films. Go see his screen texts on stage, Sept. 3 to 5
Transvestite cabaret blossoms in “Gardenia,” a dance-theater work from Belgium
Theater Review: In “Ghost Light,” a son confronts historical ghosts, family myths and dark dreams
Theater Review: “Unnatural Acts” by the Plastic Theater at Classic Stage Company in NYC
Report from Sarajevo: An inspiring international festival rises above a “catastrophic state of culture” in Bosnia and Herzegovina
RECOMMENDATION | See film screening of American version of German “Trust” at Goethe Institut-Washington
Performance review: Watch a storefront story from a New York sidewalk in this Romanian-American collaboration
Performance review | Diverse City Theater’s nervy revival of Lee Blessing’s “Two Rooms” gives voice to voiceless
Performance review | Seeing the Romanian Cultural Institute’s “Window” through Alice’s looking glass
Performance review | Is “Pâquerette” penetrating, or merely a dance with penetrating elements?
PHOTOGRAPHY | José Picayo snaps striking portraits for Sept. 16 exhibit
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Cuban-born Jose delves into paired portraits, one photograph of the back of a model’s head and another of the front.
NUYORICAN FIND | Caught in the glories of race in Rodriguez Calero’s urban paintings
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I was so fascinated by the man in Calero's "Transcendent" that I kept circling back to it. Is it a black man? Oh, wait. The painter is a Nuyorican. What gives?
GUGGENHEIM MUSEUM | Cuban-American Conceptual artist delights with his curtain of golden beads
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Felix Gonzalez-Torres’s “Untitled” Golden (1995) asks of gallery owners and curators to use these beads as room dividers through which any viewer must pass.
METROPOLITAN MUSEUM | Seen live in New York, Van Gogh’s two “Irises” will knock you out
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It provides a singular opportunity to reconsider Van Gogh's artistic aims and the impact of color fading on his intended results.
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