“The future is increasingly becoming hyper-local and immersive. The designers of the future will have to provide valuable insights into how, why and where we create new performance environments. They will determine the shape of theatre architecture to come. What’s the matter with Kansas if it cannot see that the techniques of illusion shape our reality, and not the other way around?”
Tag: Parti Québécois
PHILADELPHIA: The travel narratives below track impact and chronicle artistic learning. A costume designer encounters a Czech fashion designer in a workshop and suddenly can’t stop creating garments out of paper. A composer/sound designer records raw audio heard in the streets of Prague (music, lectures, everyday sounds) and decides to incorporate them in an upcoming production of Angels in America. Influenced by what he saw at the Prague Quadrennial of Performance Design and Space, a lighting designer literally alters his process and techniques, applying what he learned in a show at the Wilma Theater in Philadelphia. A sound designer, after coming upon theater groups from Poland which create environmental installations on the streets of their neighborhoods, openly wonders if American theater has become bound up by the “strict, linear processes” with which most U.S. works are created. In June 2011, the Philadelphia Theatre Initiative (PTI) took eight theater designers and practitioners to the Prague Quadrennial of Performance Design and Space (“the PQ”). Held every four years, the PQ puts forwards expositions of juried theater design from over 60 countries. Lectures, performances and workshops in sound, light, costume, architecture and performance design accompany the visual programming. Several of these Philadelphia designers are …
In a wide-ranging conversation with a number of national curators from various countries, RANDY GENER reports on the thrills, challenges and obstacles of putting up national exhibits at the Prague Quadrennial.