Alfonso Ossorio is a central figure of postwar American art, but he has been virtually absent from standard art history texts. Some people have claimed that Ossorio was just imitating Jackson Pollock. This exhibition shows that Ossorio had his own unique “wax-resist” painting technique that really no one else had used. He forged his own wild assemblages that he called “congregations.” It’s time to re-draft the history of postwar American art. Continue reading »