Museum | Photo by Daniel H. Tong / Unsplash
Happy Place, Los Angeles | Photo by Joshua Coleman
Happy Place, Los Angeles | Photo by Joshua Coleman

It’s a prefab vision, but the exhibition seems to be arguing for a Fluxcity vision. that allows a single module

Sophie Calle, French artist
View a fascinating conversation about "self-burial" between artist Sophie Calle and a man without identity.

@ Randy Gener
Felix Gonzalez-Torres’s “Untitled” Golden (1995) asks of gallery owners and curators to use these beads as room dividers through which

"Irises" (1890) by Vincent van Gogh (Dutch, Zundert 1853–1890 Auvers-sur-Oise)
It provides a singular opportunity to reconsider Van Gogh's artistic aims and the impact of color fading on his intended

HR-Stamenov's The Phenomenon of W24°58'59,43″ N42°07'55,29″ is very much a site-specific, media, sound and light installation. This time, he toys

"The situation" is purely experiential, engaging viewers immediately in real time and space to implore a questioning of the art

Of particular interest would the November 9, Open Space Forum, which organizers say "will explore several key factors in the

It's a prefab vision, but the exhibition seems to be arguing for a Fluxcity vision. that allows a single module


PAINTINGS + SCULPTURE

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ON PHOTOGRAPHY

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Museum | Photo by Daniel H. Tong / Unsplash
Photo by Daniel H. Tong / Unsplash