FESTIVAL WATCH | Performance actions teem in Bulgaria’s festival for independent theater

Of particular interest would the November 9, Open Space Forum, which organizers say “will explore several key factors in the development of contemporary culture that we consider important. They are: the development of international partnerships, the establishment of independent art spaces, as well as the development of new audiences and international mobility of artists and creative products.” Read More

VIDEO | In Provincetown, a site-specific workshop re-imagining of “In the Summer House” by Jane Bowles

This post offers two videos. First, a video excerpt of the Provincetown Tennessee Williams Theater Festival’s workshop production of In the Summer House (Act 2). At the end of this post is a video recording of the post-performance conversation I moderated with the show’s director David Kaplan. Read More

FESTIVAL WATCH | Cuba hosts an international theater festival in Havana

Companies from more than 70 countries in Latin America, Europe, the United States and China are taking part in the 15th edition of Havana’s International Theater Festival, better known as Festival de Teatro de la Habana. Kicking off on October 25, this year’s festival is dedicated to the legendary acting teacher Konstantin Stanislavski, for his technical contribution, his legacy, his aesthetic, his generative inspiration and his transformative impact on Cuban theater. Read More

THEATER COMMENTARY | Viewing Jane Bowles and her “In the Summer House” through the prism of Tennessee Williams

You’ve likely not heard of Jane Bowles, but she wrote a cock-eyed, mesmerizing play that was one of the signal achievements of postwar American drama. It’s right up there with the classic works of Arthur Miller, Tennessee Williams, Gertrude Stein, late Eugene O’Neill, Lillian Hellman, and Sam Shepard. This post is about Jane Bowles’s unjustly neglected play: “In the Summer House.” Read More

ART & POLITICS | Hope lingers in Sarajevo’s Festival MESS, one of the Balkan region’s most important festivals

Dino Mustafic, director of Festival MESS, describes this year’s Festival as conquest for happiness and hope. Mustafic, one of the most important theater directors in the region, adds that the theater in the Balkans is “struggling to survive.” Over the last five years, Festival MESS’s budget was slashed by 73 percent. Read More

FESTIVAL WATCH | Documentary theater seeks social change via international “Theater of the Voiceless”

To track this creative upswing, the Austrian Cultural Forum, Goethe-Institut Washington, Embassy of Switzerland and Georgetown University’s Laboratory for Global Performance and Politics have launched “Theater of the Voiceless,” an international symposium and festival on documentary theater that runs June 16 to June 19 at various venues in Washington, D.C. Read More

ON SOUTH AFRICA | Small-scale political Zimbabwe dramas headline Durban’s Musho! International Theatre Festival

Musho! (the name is Zulu for an enthusiastic praise response, similar to “Bravo!”) embraces everything from mime to physical theater, drama to comedy. Read More

NATIVE AMERICAN REPORT | Spirits of buffalo, caribou, eagle dance and pow-wow for Thunderbird’s 50th anniversary

Highlights will include Storytelling by Matoka Eagle (Santo Domingo, Tewa), a Hoop Dance by Michael Taylor (Choctaw), a Caribou Dance (from the Inuit people of Alaska), a Buffalo Dance (from the Hopi people), a Grass Dance and Jingle Dress Dance (from the Northern Plains people), a Stomp Dance (from the Southeastern tribes), and a Shawl Dance (from the Oklahoma tribes). In the final section of the program, the audience will be invited to join in the Round Dance, a friendship dance Read More

Congolese choreographer/director Faustin Linyekula dances solo after profound dialogue with director Peter Sellars

Tonight, September 18, Linyekula returns to Florence Gould Hall to debut his autobiographical new work, Le Cargo, which tells of his 2011 return to Obilo, the Congolese village where he spent part of his childhood. Co-presented by “Crossing the Line” (the French Institute Alliance Française’s annual fall festival) in association with the Museum for African Art. Read More