This letter, issued by the Hungarian Criticsâ€™ Association,Â seeks to call the attention of the international media and theatre community to the intensifying state and political control over arts, culture and media in Hungary.
Â A new highly-contested and controversial â€śmedia lawâ€ť of the present government promises serious control over the whole media, including blogs. The new Media authority â€“ formed by members of the ruling party â€“ will have the entitlement to control and punish. This week, independent cultural papers and sites are published with a blank cover page as a protest sign against this control. See blank covers http://mancs.hu/ and http://www.revizoronline.hu/
RĂłbert AlfĂ¶ldiâ€™s contract does not expire until June 30, 2013. His dismissal would mean the termination of this contract without any legal base, and this, consequently, could create a dangerous precedent: from that time on the leader of any cultural institute could be dismissed based on the aesthetic ideal of a given political party.
Another major cultural institution in the country, the Opera House of Budapest â€“ the best financed institution â€“ is also undergoing difficult times. The artistic director of the Opera, BalĂˇzsÂ Kovalik, an internationally celebrated director, was dismissed this past summer. There is still no appointed general director to take his place.
Because appointments of theatre directors in the provinces are made directly by the local governments, decisions were often based on political sympathies for the ruling political party. This has been always the same, indifferent of political climate. The process has a legal face and an illusory professional basis, because seemingly directorsâ€™ applications and eventual appointments are based on competition. There is a board of professionals who evaluates the applications and makes recommendations to the local government. But this board is either formed of people with a particular political view who are certain to make the â€śrightâ€ť decision, or it is an indeed free board whose proposal is not taken into consideration. This situation was recently repeated when the new artistic director was named to the theatre in TatabĂˇnya, and a fine previous leadership was replaced.
The independent theatres in Hungary are most vulnerable in this current climate. This is the field that is most mobile, young, and willing to take artistic risks; this is the field that contains all dance companies, and most of the production houses and freelance artists. It has been only one year since the so-called theatre law, which guarantees for the first time that a minimum 10% of the total budget for the national theatre subsidy goes to independents, came to operate. One of the new cultural leadershipâ€™s first actions was to cut this subsidy, although it is such a microscopic part of the whole budget.
The theatre law will undergo a serious rework in the spring 2011, and there is little hope that the 10% for independents will be maintained.