TOPAZ ARTS and Bliss on Bliss Art Projects are collaborating for this benefit to raise funds for Philippine disaster relief on Saturday, Nov. 30, 2013, 3-6pm. They gathered artists for a benefit to raise funds for relief efforts. Come for performances, purchase artwork, food, drink and bliss out at Topaz for a good cause!
ESoDoc (European Social Documentary) is a project-based course offering three one-week sessions held over a period of six months. ESoDoc focuses on new ways of producing, funding and distributing documentaries on social themes.
I would like to invite you to the Philippine Consulate General of New Yorkâ€™s 150th anniversary of the birth of Andres Bonifacio on Tuesday November 26 at 6:30 pm. The evening is also a Friends of FilCom fundraiser to benefit the victims of Typhoon Haiyan/Yolanda in central Philippines. FilCom stands for the Filipino American Communities of the Northeast. Donations to the fundraiser will go to the Philippine Jesuit Foundation.
This yearâ€™s theme: “Cultural Diplomacy & Cross Continental Cooperation: Building Bridges for a United Global Community.” The conference will include several parallel sessions taking place in Berlin. It will bring together over 300 high level politicians, dignitaries and celebrated artists coming from the fields of international politics, academia and the arts, including an interdisciplinary group of participants traveling to Berlin from all over the world to discuss Cultural Diplomacy in an interdependent world.
As someone who has received tons of emails announcing their own typhoon relief efforts, Iâ€™d like to call attention to two benefits in Brooklyn for which I voice my whole-hearted support.
Everyone knows that by investing in the arts and incorporating arts and culture into their economic development plans, counties can reap numerous benefits â€” economic, social, civic, and culturalâ€”that help generate a more stable, creative workforce; new tourism; and more livable communities. But as long as cultural sustainability is framed in terms of promotion, national image, tourism and economic advantage alone, there will never be a true paradigm shift.
The ASEMUS Exchange of Museum Educators Grant Program enhances professional development of museum educators in Asia and Europe and strengthens connections and cultural understanding between the two regions.
Samuel Buggeln, a New York theatre director and designer, is presently in Buenos Aires, where he is researching the Argentine theatre world. This is part of a series of Samuelâ€™s special reports from Buenos Aires. See more at his blog 25weeksbsas.blogspot.com.ar.
In 2014, Transnational Dialogues: Change Utopia will bring forward a specific collaboration between Europe, China and Brazil, coordinating young creatives from the three continents to reflect and create together in a year-long process of networked-production, a multi-layered exchange and mix of virtual collaboration, meetings, seminars and research caravans that outline a new transnational model of cross-media and cross-national production.
AFAC is now tossing the question into the field of pictures in motion, videos and animation. AFAC has opened the call for the “Why Culture? Video Competition,” and the challenge is: Can you create a 2 minute video that delivers a concept on why culture matters? The competition is open to everyone.
In 2014 the festival will take itâ€™s starting point as Berwickâ€™s position at the heart of what was once known as the “debatable lands,” with an identity neither English nor Scottish but all of its own. The residency opportunity is open to UK and internationally based artists who have been out of college (BA graduate) for a minimum of 3 years. Those who have completed an MA and /or PhD are also welcome to apply.
Japan Foundation gives funding to an Exhibitions Abroad Support Program, designed to support museums and art institutions overseas that organize exhibitions introducing Japanese art and culture to audiences overseas.
Why was the opening ceremony of the second international puppet theater festival in Azerbaijan so damn solemn an occasion? Probably because the organizers have put so much hope in it. In November 2011, when the first international theater festival opened in Baku, the Azerbaijan State Puppet Theater turned 80 years old. It is a venerable institution. It was the first time such a large-scale international festival was organized in the history of Azerbaijani theater.
How can you help this man asking the world for help? In this post, I outline the latest information I can gather, as of November 12, 2013, about relief assistance for the victims of super typhoon Yolanda (aka Haiyan in international circles).
HR-Stamenovâ€™s The Phenomenon of W24Â°58â€™59,43â€ł N42Â°07â€™55,29â€ł is very much a site-specific, media, sound and light installation. This time, he toys with the image of a ghost metro train which has traveled throughout Europe and suddenly appears in Berlin. It ignores physics, gaps between buildings, space and time.
Pyotr Pavlenskyâ€™s bodily public actions â€śinvolve the actual power mechanisms.â€? His performances of sewing his mouth closed in protest against the arrest of Pussy Riot, or lying naked in barbed wire to protest harsh laws, have had wide international resonance.
“The situation” is purely experiential, engaging viewers immediately in real time and space to implore a questioning of the art experience, and experience itself. If “This situation” is not a work of performance design, I donâ€™t know what is. It is not surprising to learn that Sehgal is a trained choreographer; he composes what is then physically interpreted by non-actors, actors and dancers, and in the case of “This Situation,” intellectuals.
Oleg Kotov and Sergei Ryazansky took the unlit version of the silver-and-red torch through the hatch of the International Space Station. While gripping the torch in the gloved fist of his spacesuit, Kotov crawled out of the hatch and waved it triumphantly 261 miles (420 km) above the planet Earth.
Darat al Funun is a home for the arts and artists from the Arab world. It organizes exhibitions, talks, film screenings and educational programs, hosts performances and concerts, offers artist residencies, and publishes books and catalogs. One to three fellowships are sought in Amman, Jordan.
Samuel Buggeln, a New York theatre director and designer, is presently in Buenos Aires, where he is researching the Argentinian theatre world. This is part of a series of Samuelâ€™s special reports from Buenos Aires. See more at his blog 25weeksbsas.blogspot.com.ar. His website is http://www.buggeln.net.