A new communiqué, sent via email from Ponta’s online team and dated June 28, 2012, is accusing ICR of “financial and legal irregularities” as well as “dysfunctional aspects,” without actually offering any tangible evidence. In quick reaction, ICR’s executive board members have drafted a point-by-point response that calls this communiqué full of “disinformation and blatant lies.” At issue: 10 million euros, the annual budget of ICR.
The government of Prime Minister Victor Ponta passed an emergency order Wednesday putting the cultural institute, known as the ICR, under the control of the Romanian Senate — a decision criticized by Romanian artists and staff members as an attempt to take political control of the institute.
Pâquerette is a duet between a man and a woman who re-discover their childlike innocence through the intensities of penetration.
And you thought these actors were just making things up as they went along. Didn’t you? Admit it. You did. This is an exclusive excerpt from Saviana Stanescu’s play “4 Alice” for THE WINDOW installation/performance project
A food installation from Croatia, cumbersomely entitled “KroaTisch–Amerikanische Freundschaft,” directly alludes to important events in the history of Croatian-American political relations.
Want to see how they built Igor Josifov’s “2-Dimensional”? Click on my slideshow. In this unusual performance, the artist is an observer as much as he is observed while the spectator becomes a performer.
This Cuban take on “Caligula” “consciously uses Albert Camus’s play to subvert cultural norms and our concept of masculinity. Why can’t a homosexual be portrayed as possessing as much violence and cruelty as a stereotypical heterosexual male chauvinist character? What does it mean to be gay and masculine? And why are these two terms still thought of as mutually exclusive?
In “2-Dimensional,” an unconventional performance installation, the young Macedonia-born artist Igor Josifov lies underneath a plexiglass structure. Starting 8 pm Tuesday June 12 to Thursday June 14 at Abrons Arts Center Gallery, “2-Dimensional” invites the audience to walk over him.
“Auto + Batterie” matches up two enticing signature works, in which French choreographer David Wampach conspicuously foregrounds the theatrical relationship between dance and music.
Takamine was Kimura’s caretaker for five years during the 1990s. Takamine says that he had learned to communicate with the disabled Kimura through gestures. He realized that Kimura’s sexual desires could not be met without the help of other people. Aiding Kimura in the satisfaction of his sexual needs was a gesture of friendship and affection of Takamine’s part.
Macadamia Nut Brittle is excoriating, sexy, hallucinatory, viciously funny. The plot steals from the mode of a reality-TV show, but its stance is subversive and punk. As the noisy evening unfolds, Ricci/Forte detonates, again and again and again, the illusory logic of this TV genre
In discussing the festival, the curators of Queer New York International Arts Festival have stated that they want to “break through dominant ideas that limit and marginalize queer art, by creating a new concept of queer as a wider platform
These programs are designed to build regional and national support structures to help Native artists reach broader audiences, connect with new markets for their work, and gain access to financial resources.
The research, conducted by the National Center for Education Statistics, showed a 16% drop in public elementary school instruction for drama/theatre over the past ten years, and a 3% drop in secondary schools.