JEAN-GUY LECAT ON BUILDING THEATRE TODAY: “The difference between a true space and one that is not lies in the criteria that favours or disfavours life. That which favours this concentration is thus legitimate while that which shies away from it is not.
HR-Stamenov’s The Phenomenon of W24°58’59,43″ N42°07’55,29″ is very much a site-specific, media, sound and light installation. This time, he toys with the image of a ghost metro train which has traveled throughout Europe and suddenly appears in Berlin. It ignores physics, gaps between buildings, space and time.
This conference, “Ephemeral and Permanent,” focuses on the interrelations of the visual arts and the dramatic arts in Rome broadly between 1300 and 1700. In this context, scenography and pageantry apparatus were as much the domain of visual artists as painting, sculpture, and architecture.
The works in The Future That Was exhibitions in New York and Manila are reflections upon the structures and ideas that produce, frame and promote art and design. Philippine artist Patricia Perez Eustaquio weaves an open-ended narrative that examines notions of innovation and novelty, timeliness and timelessness, particularly as they relate to the language of design and fashion. She is interested in how material, fabrication, and intention combine to form an object that then takes on a life of its own.
This slideshow documents the second part of the process. We want to share the work we did in Prague to Americans. We wanted a gallery environment in New York to house the works. And we hope to inspire the next batch of curators and producers to create their own USA national space for the 2015 Prague Quadrennial.
I would go so far to say that, after post-structuralism, communication is now the dominant force in design innovations. PQ provides designers with an international art-based platform where they can wrest back the current valorization of time-based performance modes, which visual artists have ruthlessly co-opted for their own ends
“These events, on a practical level, raise the public’s level of awareness of the importance of good creative design. They affirm the professionalism and creativity of outstanding designers and theater architects. And these events have demonstrated an economic impact to the countries that host them.”
The following interview originally appeared in Postcards from the Inge, a blog. It is re-posted here with the kind permission of the author. Interview by AMANDA WHITE THIETJE Well, here it is, friends—the final installment of the Randy Gener trilogy. Thank you for tuning in this week to read Randy’s words, and many thanks to Mr. Gener …
Please join Gallery 138 and Soho Photo Gallery on Wednesday Sept 12, 6-8 pm at Soho Photo Gallery,15 White Street, in NYC for: BROADWAY BEHIND THE CURTAIN Conversations on Photography and Broadway with Alan Cumming, Rivka S. Katvan & Tom Viola RSVP is required as space is limited. email@example.com, or 212 633 0324 ALAN CUMMING, …
“I Have Seen the Future: Norman Bel Geddes Designs America” explores the career of American stage and industrial designer, futurist and urban planner Norman Bel Geddes (1893-1958). The exhibition opens September 11, 2012 in Austin. It runs through January 6, 2013.
And you thought these actors were just making things up as they went along. Didn’t you? Admit it. You did. This is an exclusive excerpt from Saviana Stanescu’s play “4 Alice” for THE WINDOW installation/performance project
The Window is a unique theatrical experience, because enigma is a principal aspect of its charms. An inspiring two-part site-specific performance-design project created and directed by Ana Mărgineanu for the Romanian Cultural Institute in New York (RCINY), The Window asks you to pay close attention if you happen to stroll by RCINY’s storefront spaces.
“The Window” succeeds in its creative transformation of an otherwise nondescript building space that is normally used as a bookstore, a reception area or a meeting place. If you did know that there is a Romanian consulate and cultural services in that corner of the neighborhood, you definitely will remember that piece of information the next time you pass by.
The following interview originally appeared in Postcards from the Inge, a blog. It is re-posted here with the kind permission of the author. Interview by AMANDA WHITE THIETJE Here is the second installment of my interview with Randy Gener, curatorial adviser and co-creator of the USA national pavilion “From the Edge,” about the Prague Quadrennial. I’ve included …
“The future is increasingly becoming hyper-local and immersive. The designers of the future will have to provide valuable insights into how, why and where we create new performance environments. They will determine the shape of theatre architecture to come. What’s the matter with Kansas if it cannot see that the techniques of illusion shape our reality, and not the other way around?”
Vibrating within a new discipline that is up for grabs, From the Edge proposes one approach toward an American version of performance design. Future curatorial teams will really have to find the courage to contend with the challenge of displaying the U.S. anew in a competitive international environment.
The USA-USITT Design Exhibit team recommends people experience the exhibit more than once while at the Long Beach Conference & Stage Expo promising the interior collage will be different every time you stop by. Gallery talks at the exhibit will provide an opportunity to learn about the exhbit from those intimately involved in its creatio
NEW HAVEN, CONN.: The Caribbean‘s leading Carnival artist will lecture on how “to play mas.” On Friday, March 25, 2:30 to 5pm, the Caribbean artist Peter Minshall will give a talk, entitled “Blue Devils, Bats and Fancy Sailors,” in which he will detail the “mas,” a form of creative expression in the Trinidad Carnival. The …
In a wide-ranging conversation with a number of national curators from various countries, RANDY GENER reports on the thrills, challenges and obstacles of putting up national exhibits at the Prague Quadrennial.
An international symposium on the teaching of design, entitled “What is Scenography?”, takes place Oct. 21 and 22 at the École nationale supérieure des Arts Décoratifs (EnsAD) in Paris. These two days of reflection and debate will not only lead to a review of the status of the profession but also lay down its future prospects.