In the Culture of One World Randy Gener

A Global Media Project | Arts Economy, Cultural Diplomacy and Critical Thinking

Media Reviews

Mr. Randy Gener’s in the theater of One World, a showcase of his own individual work, is taking up the slack that print journalism is leaving behind. You won’t find this in your local paper,” Superfluities Redux

“The visionary,” Instinct Magazine

An internationalist, a champion of cultural exchange and dialogue,” The New York Daily News

Gener’s command of theatrical subjects is unequaled among his contemporaries,” American Theatre magazine/Theatre Communications Group

Randy Gener is one of the most compelling voices of our era of globalization. He has an instinctive sense of mission to contribute to building a culturally global world (a thing that does not happen by itself) — to help build awareness and true communication and understanding,”  Ioana Ieronim, author, poet and Fulbright Program Director of Fulbright Commission Romania

Mr. Gener hold himself to a high standard in his long-form journalism — perhaps a model for young theatre journalists,” Superfluities Redux

A first-rate writer and editor. He understands culture in the widest sense: as news, as art, as politics, as media. He also has an international —a global — perspective on culture that is enormously valuable and still too rare among editors and writers,” Margo Jefferson, Pulitzer Prize–winning writer and Columbia University professor

One of the leaders of the Asian American community,” The New York Daily News

An important arts journalist. His writings have contributed significantly to the American theater community,” Victoria Abrash, program director at National Performing Arts Convention

Mr. Gener’s journalism and criticism is written not merely for the practitioner but as a thoughtful bridge from an art to a spectator, doing the best that criticism can do. I’m delighted to find it here, as healthy as ever,” Superfluities Redux

Randy Gener sheds light into censorship and repression of artists,” Deadline Club Award, New York chapter of the Society of Professional Journalists

Randy Gener’s Love Seats for Virginia Woolf is a meditative homage. Gener stages his play with a subtle grace that complements the art’s ingenuity. Never has Virginia’s room of one’s own been so suggestively furnished,” The Village Voice

Gener’s writing on theater, especially as it interacts with LGBT lives, is beautifully done, knowledgeable and almost lyrical in its language,” NLGJA Journalist of the Year

Randy Gener made history after being the first Asian American writer to be awarded the coveted George Jean Nathan Award for Dramatic Criticism. This is the highest award for dramatic criticism in the US and one of the most distinguished awards in American theatre,” ABS-CBN News

Gener’s accumulation of words in his play Love Seats for Virginia Woolf are the feathery evanescence of the butterfly’s wings clamped together with the bolts of iron that are the four loveseat sculptures. The actors become words personified. I was left astonished,” The Virginia Woolf Miscellany of the International Virginia Woolf Society

He draws our attention to largely ignored voices and visions on the international theatrical scene,” George Jean Nathan Award for Dramatic Criticism

He went above and beyond with regard to enterprise, resourcefulness and overcoming of obstacles in pursuit of the story. He demonstrates the ripple effect that spotlighting artistic passion can have,” Deadline Club Award, New York chapter of the Society of Professional Journalists

His essays wed critical intelligence with a beat reporter’s love of the telling and unruly fact. In one piece, Gener argues that, at its best, criticism is ‘a cultural asset, one of the bases on which democracy and community are built.’ He fulfills that lofty goal,” George Jean Nathan Award for Dramatic Criticism.

So much about the culture, trends and problems of areas around the world are too little known, and which Randy has presented and has given a voice to, with daring and a sure, cultivated taste,”  Ioana Ieronim, author, poet and Fulbright Program Director of Fulbright Commission Romania

“From the Edge: Performance Design in the Divided States of America” at LaMaMa La Galleria

On Smart Power, International Cultural Exchange and Performance Design | An Interview by Amanda White Thietje

3 Interviews by AMANDA WHITE THIETJE:
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RANDY GENER and I met in Prague this summer, where we were both attending the 2011 Prague Quadrennial of Performance Design and Space (PQ). I was wandering through the exhibits, soaking up the inspiration and the beauty of the city; he was serving as both curatorial advisor of "From the Edge" (USITT’s USA National Pavilion) and Editor-In-Chief of this year’s PQ daily newspaper.
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Randy agreed to talk with me about the PQ, and there’s so much in this interview I want to share with you that I’m going to post it in three parts. Click on the titles of each article below so you can read each part of the interview:
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  • Interview – Part 1: "From the Edge"
  • Interview – Part 2: "Active Searching & The Value of the Prague Quadrennial"
  • Interview – Part 3: "A Ripple Effect."
  • -

    “From the Edge: Performance Design in the Divided States of America,” the USA national pavilion at Prague National Gallery

    From the Edge: Performance Design in the Divided States of America

    Reflections on curating and creating national expositions in an international art-based mega-exhibition in Prague
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  • Curatorial essay: "Exhibiting a country on the edge: a U.S. approach to performance design"
  • USA exposition returns from Prague: "American performing garage under the sign of Obama"
  • Prague diaries: "Philadelphia theater-makers talk about how performance design affected their works and processes."
  • Interview with curators: "Curators speak about the thrills, challenges and obstacles of staging national expositions of design."
  • -

    Praise and Commendations

    >> "A first-rate writer and editor. Randy Gener understands culture in the widest sense: as news, as art, as politics, as media," Margo Jefferson, Pulitzer Prize–winning writer.
    -
    >> "Mr. Randy Gener’s 'in the theater of One World,' a showcase of his own individual work, is taking up the slack that print journalism is leaving behind. You won’t find this in your local papers," Superfluities Redux.
    -
    >> "The visionary," Instinct Magazine.
    -
    >> "An internationalist, a champion of cultural exchange and dialogue," The New York Daily News.
    -
    >> "Randy Gener's command of theatrical subjects is unequalled among his contemporaries," American Theatre magazine/Theatre Communications Group.
    -
    >> "Randy Gener sheds light into censorship and repression of the arts," Judges of the Deadline Club Award, New York chapter of Society of Professional Journalists.
    -
    >> "Randy Gener is one of the most compelling voices of our era of globalization," Ioana Ieronim, author, poet and Fulbright Program Director of Fulbright Commission Romania.
    -
    >> "Gener draws our attention to largely ignored voices and visions on the international theatrical scene," Judges of the George Jean Nathan Award for Dramatic Criticism.
    -
    >> "Mr. Gener holds himself to a high standard in his long-form journalism — perhaps a model for young journalists," Superfluities Redux.
    -
    >> "Gener’s writing on theater, especially as it interacts with LGBT lives, is beautifully done, knowledgeable and almost lyrical in its language,” Judges of NLGJA Journalist of the Year.
    -
    >> "Randy Gener demonstrates the ripple effect that spotlighting artistic passion can have," Judges of the Deadline Club Award, New York chapter of the Society of Professional Journalists.
    -
    >> "Randy Gener's 'Love Seats for Virginia Woolf' is a meditative homage. Gener has staged his play with a subtle grace that complements the art objects' sedentary ingenuity. Never has Virginia's room of one's own been so suggestively furnished,” The Village Voice
    -
    >> "Gener's accumulation of words in his play 'Love Seats for Virginia Woolf' are the feathery evanescence of the butterfly's wings clamped together with the bolts of iron that are the four loveseat sculptures. The actors become words personified. I was left astonished,” The Virginia Woolf Miscellany of the International Virginia Woolf Society.
    -
    >> "His essays wed critical intelligence with a love of the telling and unruly fact," Judges of George Jean Nathan Award for Dramatic Criticism.
    -
    >> "Gener went above and beyond with regard to enterprise, resourcefulness and overcoming of obstacles in the pursuit of the story," Judges of Deadline Club Award, New York chapter of the Society of Professional Journalists.
    -
    >> "Randy Gener has been a tremendous asset to American Theatre ever since he was selected as a Jerome Foundation Affiliated Writer back in 1995-96, and especially since he joined the staff full-time in 2001," American Theatre magazine/Theatre Communications Group.
    -
    >> "One of the leaders of the Asian American community," The New York Daily News.
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    >> "In conferring the Pamana ng Pilipino (Legacy of the Filipino Nation) Presidential Award to Randy Gener, the President recognizes Gener's excellence in the field of theater arts and creativity, and diligence in promoting Filipino-American interests and accomplishments to mainstream audiences in Europe and the United States of America," His Excellency Benigno Simeon Aquino III, President of the Republic of the Philippines.
    -

    Categories

    Biography

    Randy Gener is the Nathan Award-winning editor, writer, critic, curator, playwright and visual artist in New York City.
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    His conceptual installation, "in the garden of One World," debuted at La MaMa La Galleria in New York. He is the author of "Love Seats for Virginia Woolf," and other plays.
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    For his editorial work and critical essays as the senior editor of American Theatre magazine, Gener has received the George Jean Nathan Award for Dramatic Criticism, the highest accolade for excellence in dramatic criticism in the United States; the Deadline Club Award for Best Arts Reporting from the New York chapter of the Society of Professional Journalists; five media awards for excellence in travel-writing from the annual North American Travel Journalists Association Awards competition; and the NLGJA Journalist of the Year 2010.

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    randy gener pictured at columbus circle in manhattan

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